Vintage Modern Sterling Silver Jewelry
Mid-Century Modernist, Studio Artists, Arts & Crafts, Scandinavian
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FRANZ BERGMANN 1898-1977 |
VINTAGE STERLING SILVER BROOCH. c. 1940s-1950s. Positive and
negative shapes, constructed from cut
out pieces in Silver and Forged Wire, with the negative and positive
half circles mirroring one another. One small silver bead floats
on a wire creating a subtle balance. Born in Vienna 1898, he received a degree in painting from the Vienna Academy of Fine Art. He immigrated to the US in 1925 and painted murals for theaters and private buildings. He opened his studio in San Francisco in 1940 producing ceramics and jewelry. He taught at the Presidio Open Air School, Mills College, California School for Fine Arts, and was one of the participants in the Walker Exhibition of 1948. Irene Brynner worked for him in 1949. Marked with the conjoined FB. Measures 2-3/4" x 1-1/8" Very Good Condition. Heavy Patina #3075, $450.00   |
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FRANZ BERGMANN 1898-1977 |
VINTAGE STERLING SILVER BROOCH. A play of positive and
negative shapes, where arc shapes create this whimsical fish. Fish
Scales
reflect the dominate shape of for each half of the fish body. The
design is constructed from cut
out pieces of Sterling and Forged Wire. Born in Vienna 1898, he received a degree in painting from the Vienna Academy of Fine Art. He immigrated to the US in 1925 and painted murals for theaters and private buildings. He opened his studio in San Francisco in 1940 producing ceramics and jewelry. He taught at the Presidio Open Air School, Mills College, California School for Fine Arts, and was one of the participants in the Walker Exhibition of 1948. Irene Brynner worked for him in 1949. This brooch can be see in the book, Modernist Jewelry, 1930 - 1960, by Marbeth Schon, pg. 98. Marked with the conjoined FB Sterlilng Measures 2-5/8" x 1-1/2" Very Good Condition. #3076, $450.00  |
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FRANCES HOLMES BOOTHBY | VINTAGE STERLING SILVER BROOCH and EARRINGS, Inventive
design where the motif is cut out in the brooch and recessed and
blackened in the earrings. She was part of the Walker Exhibition of 1955, and the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked fhb, Sterling. Measures 1-7/8" x 1 1/2", earrings 3/4". Very Good Condition. #2497, $295.00  |
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FRANCES HOLMES BOOTHBY | GOLD AND JADE RING. Known for both
Handmade Silver and Gold work using semi-precious stones. There is an
airy elegant quality in this design with repeated circles in a variety
of sizes in a random pattern surrounding a beautiful bright oval Jade
cabochon. She was part of the Walker Exhibition of 1955, and the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked fhb, 14k Size approx. 6-1/8. Measures 1/2" wide in front Very Good Condition. #2658, $450.00  |
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BERNARD BRENNER |
BRAZED BRASS PENDANT, c.1969.
Dramatic design
that gets down to 'The Nuts and Bolts' of Wearable Art. I was informed by the collector, from whom it was obtained, that this was created in 1969 as one of ten by the Philadelphia Sculptor Bernard Brenner. A short bio and an additional work may be seen at the site of Christopher Ray, Sculptor/Curator http://www.chrisray.com/exhibit/show01/index.htm Not Marked. Measures a substantial 4-1/4" x 2-1/2". Very Good Condition. #2897, $150.00  |
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JULES BRENNER 1917-1991 |
VINTAGE STERLING SILVER BRACELET, c.1950s. Striking design
with
subtle shifts in angles and sides with the a wrapped band raised from
the cuff. This bracelet is included on page 116 of the 2008 Fort Wayne, Indiana exhibit American Modernist Jewelry, 1940-1970, companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Jules Brenner Sterling. Measures 1" to 3/4", nice fit to 6-7/8"; could be slightly adjusted. Very Good Condition, with subtle patina. #2863, $525.00  |
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JOHN BRYAN 1897-1982 |
VINTAGE STERLING SILVER BROOCH, c.1950s-1960s. This brooch
is a classic example of his 1950s work of "enamel on concave surfaces
offering stunning contrast in color and metals", as described in the
1956 Craft Horizons, as
cited by Marbeth Schon on pg. 221 in the book, MODERNIST JEWELRY
1930-1960, The Wearable Art Movement. Marked Bryan Sterling. Measures 1-1/2". Very Good Condition with a slight patina. #2906, $225.00  |
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JOHN BRYAN 1897-1982 |
VINTAGE STERLING SILVER BROOCH and EARRINGS, c.1950s-1960s. An
interesting Three-dimensional Spiral highlighted with Blue Enamel. Excellent of Bryan's 1950s work of "enamel on concave surfaces offering stunning contrast in color and metals", as described in the 1956 Craft Horizons, as cited by Marbeth Schon on pg. 221 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement. Marked Bryan Sterling. Measures 1-1/2", earrings 3/4". Very Good Condition with a nice patina. #2992, $245.00  Brooch Earrings |
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JOHN BRYAN 1897-1982 |
VINTAGE STERLING SILVER EARRINGS, c.1950s-1960s. Concave
discs with leaves; "enamel on
concave
surfaces
offering stunning contrast in color and metals", as described in the
1956 Craft Horizons, as
cited by Marbeth Schon on pg. 221 in the book, MODERNIST JEWELRY
1930-1960, The Wearable Art Movement. Marked Bryan Sterling. Measures 7/8" x 5/8". Very Good Condition with a nice patina. #2827, $95.00  |
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IRENA BRYNER IRENA BRYNNER 1917-2002 |
VINTAGE STERLING SILVER BROOCH, c.1950s. Subtle
depth marks this early Irena Bryner brooch. In this free form design,
the edges form a frame for the blackened recess, where a single pearl
balances
the asymmetric design. Ms. Bryner is one of the most celebrated mid 20th Century Jewelers, with international recognition as a sculptor and jewelry artist. She was born in Russia and was trained in fine art at the University and Art School in Lausanne, Switzerland. She, and her mother, immigrated to the USA; living and working in San Francisco where she recieved early training as a jeweler. She relocated to New York, opening her own shop. Some of her most prominent exhibitions include the Walker Exhibition in 1955, a one women show at the Museum of Contemporary Crafts New York, and Renwick Gallery, Washington DC. Her work is in many permanent collections including the Smithsonian, the Louvre and the Hemitage. Marked with her early mark, I Bryner, Sterling. Later she changed the spelling of her last name to Brynner. Measures 1-5/8" x 1/2". Very Good Condition. #3086, $795.00   |
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IRVIN and BONNIE BURKEE |
VINTAGE STERLING SILVER PENDANT, c.1950s. Both Irvin and
Bonnie's academic careers include art study, teaching, fellowships,
travel, and photography before uniting forces to build jewelry, as well
as a family in Colorado. They created one-of-a-kind or limited
production pieces. This piece has a joyous use of semi-circles
and line. Is it a person, animal, bug, or just shapes that please the
eye? As von Neumann said in his 1961 book, "The Design and Creation of
Jewelry", 'Their works reflect well the free interpretation of subject
matter.' Their work is included in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the.companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 119. Marked Burkee Sterling. Measures 3-1/4" x 5/8". Very Good Condition with a lovely patina. #2821, $295.00  |
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VIRGIL CANTINI b.1919 |
PIN, Delicious Colors in the
Geocentric shaped design. Black outlines bring drama to the
piece. The enamel colors are Red, Red Orange, and Dark Blue. With the
signature delineation of gold line. Acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Measures 2" x 3/4". Excellent Condition. #2789, $200.00  |
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VIRGIL CANTINI b.1919 |
PIN. Heart
warming symbolic design with lovely surprises. A Spring Blossom motif,
in in both bright and night colors, with subtle references to
time and space and references birth and rebirth. The Flowers seem to
float above heavenly bodies at night and day, simultaneously. The
enamels are pink, yellow, grass green, dark orange, and midnight blue
highlighted with his trademark gold pen outline. Cantini was acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburgh. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked Cantini, Stamped on the pin back. Measures 2" x 7/8" Very Good Condition. #3062, $200.00  |
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VIRGIL CANTINI b.1919 |
PIN, Reminiscent of a fossilized
fish executed in mottled blue, green, and lavender enamel,
with a deep blue enameled background, delineated in gold. Cantini was acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Measures 1-3/4" x 3/4" Very Good Condition. #2788, $200.00  |
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VIRGIL CANTINI b.1919 |
PIN and EARRINGS, ENAMEL OVER COPPER. An
Imaginative Abstract leaf design of whites and blacks on a red
background; unusual use of center accents of gold and black domes
highlight these concave shaped wearable works of art. Acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script, Cantini. Pin measures 1-5/8"; Screw back style earrings measure 7/8". Excellent Condition. There is an area in back, next to the pin, where the enamel did not flow, leaving a small gap; this is original to the manufacture, and not after market damage. #2758, $295.00  |
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VIRGIL CANTINI b.1919 |
EARRINGS, ENAMEL OVER COPPER. Acclaimed
for
his work in enamel in Time magazine, 1953, and a professor in the Henry
Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. These earrings are Shaded Blues with subtle pink design elements. French clipback style. Marked in script Cantini. Measure 3/4"; clips an additional 3/4". Very Good Condition. #2880, $150.00  |
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VIRGIL CANTINI b.1919 |
EARRINGS, ENAMEL OVER COPPER. This
design
is thourghly 50s, with Shades of Blue, Red, White, and Yellow. Acclaimed for his work in enamel in Time magazine, 1953, and a professor in the Henry Frick Fine Arts department of The University of Pittsburg. He is referenced, and his work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 228, by Marbeth Schon; in the Long beach Museum of Art exhibit, and catalogue, Painting with Fire, by Jazzar and Nelson, page 265; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 123. Marked in script Cantini. Measure 1-1/4" x 5/8". Very Good Condition. #3102, $150.00  |
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JOSEPHINE CATANZARO 1913-1988 |
VINTAGE STERLING SILVER CUFFLINKS, Minimalist
design with two wire arcs placed on a curved square, resembling eyes. Josephine and Antoinette were a sister team who lived and worked together throughout their lives. They taught jewelry making, exhibited, and owned a shop in Buffalo New York, The House of Craft, where respected craft artists placed their work. Josephine's work (Jo) tended to be clean and bold. They are referenced, and their work is included in, the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, page 124. Measures 3/4" x 3/4". Signed Jo Catanzaro Very Good Condition with a light patina. #3055, $150.00  |
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MAXWELL CHAYAT b.1909 |
VINTAGE STERLING SILVER BROOCH, A nice example of
Chayat's movement within form; the arching thicknesses add to the
sculptural effect. He exhibited with the artist in the Walker Exhibition of 1955, and had numerous one man exhibitions in New York and the East Coast. Marked Chayat (arched) Sterling Measures 2-1/2" x 3/4". Excellent Condition with a mild patina. #2919, $225.00  |
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MAXWELL CHAYAT b.1909 |
BROOCH, Very unusual brooch in
enamel referencing Abstract Expressionist painting, with drizzled
enamels and accidental looking drops of fused glass He exhibited in the Walker Exhibition of 1955, and had numerous one man exhibitions in New York and on the East Coast. A large portion of his artistic efforts address Jewish and religious themes with commissioned works of religious objects. Most of his works were in silver and gold. This enameled brooch, takes exception to his normal modes. Marked Chayat on the pin back Measures 2-1/2" x 1-1/2" Very good condition. #2816, $325.00  |
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KURT
ERIC CHRISTOFFERSEN b.1926 for INTERNATIONAL SILVER |
VINTAGE STERLING SILVER BROOCH, A lovely wheat design
executed with delicate precision. Elegance in lines and
form are the hallmark of Christoffersen's designs. Eric was born in 1926 in Denmark. His training included goldsmith work for the Jewelry firm, A. Michelson and he graduated from The Academy of Arts and Crafts in Denmark where he became fluent in Goldsmith and Sliversmith techniques. He relocated located to the United States in 1949, and by the mid 1950s, was associated with the International Sterling Craft Society and The International Silver Company. Later in his career, he was associated the Artistic Wire Production Company and a Scandinavian Art Gallery in the Virgin Islands. Eventually he returned to his native County. Marked I joined KC and S Measures 3" x 3/4" Excellent Condition. #2824, $195.00  |
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ELLA CONE |
VINTAGE STERLING SILVER STERLING SILVER BRACELET, c.1950s-60s.
An intricate design of florals/leaves/vines; nice 3-Dimensional depth,
at first appearing to be repousse, but cast, with nice weight. Ella Cone had worked in NYC, and also had a shop in Boston, where she presented Modernist as well as traditional designs. Marked 'ELLA CONE STERLING XTC'. Measures 6-1/2" x 5/8". Excellent Condition. #2708, $250.00  |
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BETTY COOKE b.1924 |
VINTAGE STERLING SILVER BROOCH. Zenith design with
a delicate wire wrapping around one side and dropping down with a small
ball at the end. This well-balanced design clearly shows Ms. Cooke's
playful nature. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Marked Cooke Sterling. Measures a large 3-1/2" x 2-3/4". Very Good Condition with deep Patina. #3071, $450.00   |
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BETTY COOKE b.1924 |
VINTAGE STERLING SILVER NECKLACE. Hard
wire collar with and innovative closure. The wire is bent in a large
hook that latches around the circle in the front of the neck. Betty Cooke Circular motif is one she finds endless opportunities for exploration with whimsy and elegance. She has participated in many Modernist Exhibitions and is the recipient of numerous awards including the De Beers Diamonds Today Award. She continues to create jewelry in her Baltimore Shop. Her working process starts with sketches, letting an inspiration germinate into to many variations until one idea is selected for completion. A sketch of this necklace design can be seen between plate no. 3 and 4 in her June 1995 Retrospective catalogue, Design.Jewelry.Betty Cooke. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Marked Cooke Sterling. Measures 16-3/4", disc measures 7/8". Very Good Condition. #3019, $550.00   |
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BETTY COOKE b.1924 |
VINTAGE STERLING SILVER PENDANT. Although a pendant
with circles attached to a thin post, the pendant hangs from a delicate
leather cord in a mobile effect, with circles lightly floating in
space. She is referenced, and her work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon, numerous pages. Pendant measures 2-1/4" long. Cord is 32". Excellent Condition. #2636, $450.00  |
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ANNEMARIE DAVIDSON b.1920 |
ENAMEL PLATE. Trademark design.
Large
yellow and small round orange cookies, which she called
"Jewels"; incised radiating lines in the enamel form the decorations
for the plate; cookies are raised clear enamel bubble-like
embellishments. Her philosophy was to "create something colorful and decorative in order to make small objects, necessary in the home, beautiful." From an interview in the Cross-Country Craftsman, 1962. An example of a plate, with incised (sgraffito) lines was in the recent exhibition, Painting with Fire Masters of Enameling in America, 1930-1980, and the companion book of the same name, by Bernard N. Jazzar and Harold B. Nelson, pg. 266. Measures 6" Excellent Condition. #3003, $120.00   |
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ANNEMARIE DAVIDSON b.1920 |
LARGE ENAMEL PLATE. Trademark
design. Large Gold and Blue cookies, which she called
"Jewels"; incised radiating lines in the enamel form the decorations
for the plate, while gold foil highlights bring out the contrasting
colors; cookies are raised clear enamel bubble-like embellishments. Her philosophy was to "create something colorful and decorative in order to make small objects, necessary in the home, beautiful." From an interview in the Cross-Country Craftsman, 1962. An example of a plate, with incised (sgraffito) lines was in the recent exhibition, Painting with Fire Masters of Enameling in America, 1930-1980, and the companion book of the same name, by Bernard N. Jazzar and Harold B. Nelson, pg. 266. Marked with the conjoined AD Measures 7-1/2" Excellent Condition. #3095, $150.00  |
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ROBERT and/or AUDREY ENGSTROM |
EARRINGS, Abstract design with
triangles, orbs, and squiggled lines in red, black, and white enamels
over copper. Robert and Audrey were a team and had a studio-home workshop in Michigan. Robert was on the faculty of Western Michigan University for 27 years. They had two pieces in the Walker Exhibition of 1955, and he was included in the 1959 Walker Exhibition; and they had four works in the recent exhibition, American Modernist Jewelry, 1940-1970, at the Forty Wayne Museum. Examples of their work can be seen in the companion book, Form & Function, American Jewelry, 1940-1970, pg. 104, by Marbeth Schon, and a pair of red enamel earrings, similar to this set, can be seen in the book, Modern Jewelry 1930-1960, the Wearable Art Movement, pg. 143, by Marbeth Schon. Marked Engstrom in hand etched script Measures 3/4" x 3/4" Very Good Condition. The copper back has some tarnish. #2996, $125.00   |
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THEODOR FAHRNER | VINTAGE STERLING SILVER BROOCH, September 12,1927- THE BREANDLE
STYLE,
Rectangle design in Mint Green and Sky Blue Matte enamel. The brooch can be seen on page 169, in a drawing from the Fahrner Pattern Book, in the book, Theodor Fahrner Jewelry..between the Avant-garde and Tradition by Hase-Schmundt, Weber, and Becker. Marked TF 935. C closure. Measures 1-3/8" x 3/4". Very Good Condition with a dark patina on the back. #2457, $495.00  Pattern Book Drawing  |
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FELICE |
VINTAGE STERLING SILVER BRACELET, Bangle
style bracelet with two swivels behind the center motif that move as
hinges to expand the bracelet to a larger size for either ease of
placing the bracelet over the hand, or to fit a large wrist. Round
Lapis stone in a bezel setting. Little is known of the history of Felice, but is believed to have worked in New York City in the 1950s. Another example of Felice's work can be seen at the San Francisco exhibition: A Day at The Grand Opening of Macchiarini Creative Design and Metalworks Gallery Marked Felice Sterling Handmade Measures, Center Motif 1-3/4" x 1-1/8"; fits 6-1/2" closed to 7-1/2" open. Very Good Condition. #3058, $395.00    bracelet open |
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ELSA FREUND 1912-2001 |
VINTAGE STERLING SILVER BRACELET, Classic Elsa Freund design of
fired clay and blue fused glass, with the stone being surrounded in a
musical flow of swirling silver. Beautiful depth and intriguing
movement make this dynamic jewelry a wearable
art statement. Elsa Freund began experimenting with fused glass on fired clay with her husband in the late 1940s creating artificial stones she named "Elsaramics." Examples of her work can be seen in the books Messengers of Modernism, by Toni Greenbaum, Modern Jewelry 1930-1960 the Wearable Art Movement, and Form & Function, American Modernist Jewelry, 1940-1970 by Marbeth Schon. Signed "Elsa" in script on the back clay disc Currently a comfortable fit at about 7-1/4", but may be adjusted up or down. Stone measures 1-3/4" x 7/8"; front loops measure 1-5/8" high. Excellent Condition. Note: There are minute fractures in the glass are part of the shattered glass and fusing process. #2726, $1,250.00  |
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ELSA FREUND 1912-2001 |
VINTAGE STERLING SILVER PENDANT NECKLACE, Fused
glass on fired clay. The fired clay disc is shattered yellow and black
glass fused to red clay with a faux bezel mounting created with black
enamel. Sterling rods are embedded in the clay base. The pendant hangs
from a long handmade chain. Elsa Freund began experimenting with fused glass on fired clay with her husband in the late 1940s creating artificial stones she named "Elsaramics." Examples of her work can be seen in the books 'Messengers of Modernism', by Toni Greenbaum, 'Modern Jewelry 1930-1960 the Wearable Art Movement', and "Form & Function, American Modernist Jewelry, 1940-1970" by Marbeth Schon. This pendant design is featured in the recent exhibition American Modernist jewelry, 1940-1970, at the Forty Wayne Museum, and is shown in the companion book/catalogue, Form & Function, American Jewelry, 1940-1970, by Marbeth Schon, pg. 20. Signed "Elsa" in script on the back clay disc. Pendant measures a very large 4-1/4" x 4-1/4". Chain measures 28". Excellent Condition with some patina. Note: There are minute fractures in the glass which are part of the shattered glass and fusing process. #3057, $2,500.00    |
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MARY GAGE |
VINTAGE STERLING SILVER BROOCH, Scimitar, A fine example of Mary
Gage's Scimitar series featuring a bezel set natural Turquoise stone,
beaded handle, and hand-hammered blade. The hammer marks are
interestingly shown in the 'Back PIC' view. Mary Gage, 1898-1993, was a self-taught artist/silversmith that had shops in NYC's Greenwich Village and New England. She is referenced in Christie Romero's Warman's Jewelry, 3rd ed., pgs. 96 & 101, and in Elyse Karlin's Jewelry and Metalwork, pg. 238. Signed 'Mary Gage Sterling'. Measures 2-1/2" x 5/8". Very Good Condition. #2744, $195.00  |
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JULIAN GOODENOW |
VINTAGE STERLING SILVER CUFF-BRACELET, A Sleek thick Modernist design. Julian Goodenow is referenced by Armand Winfield as one of the Late 1940s-Early 1950s Greenwich Village artisans, along with Sam Kramer, Ed Wiener, Art Smith et.al, in Marbeth Schon's Modernist Jewelry 1930-1960. Signed 'J. Goodenow' in Gothic font, ss Sterling . Measures 1/4" x 3/16", 2-7/8" wide with a 1-1/2" opening to slide onto the wrist; will fit up to a 7" wrist. Very Good Condition. #3010, $150.00   |
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RAY GRAVES b.1921 GRA-WUN |
VINTAGE STERLING SILVER BROOCH, Engaging Biomorphic
design. This black stone is left in its natural crystallized
state, cradled in Sterling. The sterling back is in two layers, giving
it a nice three dimensional effect. Ray Graves had his shop in the prestigious Lloyd Kiva Art Center, Scottdale Arizona. He worked in a variety of media and drew inspiration from both Native American and Modernist themes. A very versatile artist, his shop was open from 1959 to 2001. During his illustrious career, his work was known on several continents, high end department stores, and his clients included many celebrities. Information on Ray Graves and an additional example of his work, seen on pg. 169, of Christie Romero's Book," Warman's Jewelry", 3rd Edition. Marked GRA WUN. His mark combines his name, Graves, and a former partners, Berta Wunderlich. Measures 2" x 1-3/8" The stone is in Excellent condition. The Silver is in Very good condition with a slight Patina. This piece may have been a pendant at one time, as the pin back is made of stainless steel, and epoxied in place. #2785, $250.00  |
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DORIS HALL 1907-2000 |
ENAMEL PLATE, A free style design in opulent
colors; Mauve, Translucent Green, and Gold . Doris Hall and her Husband, Kubinysi, worked together as well as individually, producing work from the late 1930s to early 1970s. Kubinysi's primary function in the works were laying the groundwork for Hall's enamel paintings. They worked in both small scale as well as large scale projects in decorative art and jewelry. They received many prestigious awards, exhibited extensively, and were represented in galleries, and museums. Halls work was in recent exhibitions, Painting with Fire, Masters of Enameling in America, 1930s-1980s, at the Long Beach Museum of Art, and American Moderist Jewelry, at Ft. Wayne Museum of Art. Examples of Hall's work are in Modern Jewelry, 1930-1960, and the compainion book to the Ft. Wayne Exhibition, Form and Function, American Moderist Jewelry 1940s-1970s, by Marbeth Schon, and the companion book the Painting with fire, Masters of Enameling, 1930s - 1980s, of the same name, by Bernard N. Jazzar and Harold B. Nelson. Signed Doris Hall on the back. Measures 3" x 1/2" deep Very Good Condition. #3074, $175.00  For reviews of these exhibitions, go to: Painting with Fire http://www.modernsilver.com/june07/paintingwithfire.htm American Modernist Jewelry http://www.modernsilver.com/Americanmodernistjewelry.htm |
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HURST-KINGSBURY | VINTAGE STERLING SILVER BROOCH by Joan Hurst and Jill Kingsbury, a rare
find, c. 1940s-1950s. Contrasting Linear and Biomorphic elements
with oxidized center addresses Mid-century Modernist Abstract Forms. Their work was shown in the 1948 Walker Exhibition. They are referenced, and their work is included in, Modern Jewelry 1930-1960, the Wearable Art Movement, by Marbeth Schon; in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Hurst Kingsbury Sterling. Measures 1-7/8" x 1-1/2". Very Good Condition. #2951, $395.00  |
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GEORG JENSEN |
VINTAGE STERLING SILVER CUFF BRACELET, Clean
lines with the linear
outline give this Scandinavian Modernist Design a Tailored Look. Marked with the Georg Jensen Oval, 925S, Denmark, Early Design #85A. Fits comfortably at 6-3/4"; 1-3/8" High. Very Good Condition with very slight surface scratches. #2913, $595.00   |
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GEORG JENSEN HENNING KOPPEL |
VINTAGE STERLING SILVER BROOCH, A fine
example of Henning Koppel's designs using sweeping forms for sculptural
effect. Marked with the Georg Jensen Oval, 925S, Denmark, Design #327. Measures 2-1/2" x 1". Very Good Condition with very slight surface scratches. #2914, $235.00  |
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GEORG JENSEN HENNING KOPPEL |
VINTAGE STERLING SILVER BROOCH, H.KOPPEL DESIGN. Biomorphic design
in smooth open work. Marked Georg Jensen in a single dotted circle, Sterling Denmark, Design #322. Measures 1-7/8" x 1-1/2". Very Good Condition. #2427, $350.00  |
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WILLIAM B. KERR Art Nouveau |
VINTAGE STERLING SILVER BROOCH. Lovely
design with an idealized Women's face, Flowing hair, and Flowers. Marked with the Kerr 'Axe', Sterling, design #1371. Measures 1-3/4" x 1-1/2". Very Good Condition. #2418, $150.00  |
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WILLIAM B. KERR |
VINTAGE STERLING SILVER BUCKLE, Winged Cherub faces are
surrounded by floral garlands in very intricate relief. Signed 'Wm. B. Kerr 'Axe', Sterling, #312'. Measures 2-3/4" x 1-1/2". Very Good Condition. #2729, $295.00   |
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ESTHER LEWITTES 1904-1990 |
VINTAGE STERLING SILVER BROOCH, Intriguing
use of contrasting textures, tones, and forms; Very
three dimensional. The artist is featured on pg. 239 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Studied at the Art Students League. Sold her jewelry at Georg Jensen, American House, and Nannie's in San Francisco. Had her own shop on La Cienega Blvd. and Mel Rose Place in LA. Marked Lewittes Sterling Handmade. Measures 2" x 2" Very Good Condition. #2932, $295.00   |
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ESTHER LEWITTES 1904-1990 |
VINTAGE STERLING SILVER BROOCH, with Natural Pearl,
c. 1960s. Delightful
use of line and form, with movement drawing the eye to the prize; Very
three dimensional. The artist is featured on pg. 239 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Studied at the Art Students League. Sold her jewelry at Georg Jensen, American House, and Nannie's in San Francisco. Had her own shop on La Cienega Blvd. and Mel Rose Place in LA. Marked Lewittes Sterling. Measures 2" x 1-1/2" Very Good Condition. #2903, $245.00  |
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ESTHER LEWITTES 1904-1990 |
VINTAGE STERLING SILVER BROOCH, with Cultured
Pearls, c. 1960s. Interesting movement
using line and form, positive and negative spaces; Very three
dimensional. The artist is featured on pg. 239 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Studied at the Art Students League. Sold her jewelry at Georg Jensen, American House, and Nannie's in San Francisco. Had her own shop on La Cienega Blvd. and Mel Rose Place in LA. Marked Lewittes Sterling. Measures 2" x 1-1/4" Very Good Condition. #2912, $245.00  |
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AKE LINDSTROM SWEDEN |
VINTAGE STERLING SILVER BRACELET with Large BANDED
AGATE Stone, c.1973, Clean Modernist Design creates a
Sophisticated Scandinavian Look. Marked Lindstrom, 925S, Sweden, 3 Crowns, S, BEH for Bengt Hallberg Guldsmeds, X9 for 1973. Bracelet Band spring-fits into the back recess, wears comfortably at 6-3/4"-7"; Stone measures 1-1/4" square. Very Good Condition with very slight surface scratches. #2916, $295.00   |
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EVERETT MACDONALD 1924-1991 |
VINTAGE STERLING SILVER PENDANT.
The center of the design is a cut triangle folded over from the back
side that was oxidized to create depth and illusion. The small circle,
in the center of the triangle, is a post that protrudes from the
back
side. Everett Macdonald was a mostly self-taught jeweler. He exhibited nationally, but was known more as a regional artist. He opened a shop in Laguna Beach. Most of his work is one-if-a-kind with a few limited edition designs. The artist is featured in the book, Messengers of Modernism, by Greenbaum; MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Sterling Macdonald Pendant measures 1-3/8" including the bail. Chain 16" Very Good Condition #3002, $350.00  |
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FRANK MIRAGLIA |
VINTAGE STERLING SILVER BROOCH, c.1950s-1960s. Wonderful
modernist whimsy defines Miraglia's well-known "Rooster". This brooch and the artist are featured on pg. 241 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and his work is in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Signed F. Miraglia N.Y. Sterling. Measures a substantial 3 x 3". Excellent Condition, with nice patina forming. #2907, $525.00  |
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FRANK MIRAGLIA |
VINTAGE STERLING SILVER EARRINGS, c.1950s-1960s. Happy
Fish. Humorous design with overlapping cut sheets of sterling,
highlighted with oxidization on the back shape and thin
striations. The fish look either surpised, or struck by lightning. These earrings are featured on pg. 241 in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and his work is in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Signed F. Miraglia N.Y. Sterling. Measures a substantial 3 x 3". Excellent Condition, with nice patina forming. #3036, $295.00  |
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JACK NUTTING |
VINTAGE STERLING SILVER AND LAPIS BRACELET, c. 1950s
to 1960s. A Sleek Modernist loot to this "V"-shaped cuff-style
design, with an oval Blue Lapis cabochon in a bezel setting. His work is in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Jack Nutting had a shop in San Francisco and, also designed furniture and interiors. Marked JN Measures 6-1/2". The stone measures 1/2" x 3/8". Very good condition. #3090, $350.00  |
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JACK NUTTING |
NECKLACE,
c. 1950s to 1960s. The stripes in the pyramid shapes are created by
placing ribbons of sterling next to each other. The recesses are
oxidized and
deep. Triangle motif has two hooks on the end where the chains are
attached. The chains can be removed, perhaps to be able to attach other
chains or beads for different affects. His work is in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Jack Nutting had a shop in San Francisco and, also designed furniture and interiors. Marked JN Measures 16". The motif is 10-1/2". Center drop is 2-5/8". Lovely weight. Very good condition. #2925, SOLD   |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER BROOCH, Very thick cast abstract design
with
a very dimensional center motif mounted on a high tear-shaped forged
frame
that folds out like a ribbon. Another fine example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection". Robert von Neumann, The Design and Creation of Jewelry, 1961. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Signed Pearson Sterling. Measures 2" x 1-3/4". Very Good Condition with some patina and oxidization on the inner rib of the frame. #3091, $270.00   |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER BROOCH, c. 1950s-1960s. Wonderful
modernist form and movement. Another fine example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection." (per, Robert von Neumann-The Design and Creation of Jewelry, 1961, pg. 70; a brooch on pg. 70 and a bracelet on pg. 71 are shown in this design line.) Signed Pearson Sterling. Measures 2 x 1/2". Excellent Condition, with sight patina forming. #2899, $200.00  |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER BROOCH, c. 1950s-1960s. Wonderful
modernist form and movement. Another fine example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection." (per, Robert von Neumann-The Design and Creation of Jewelry, 1961, pg. 70; a brooch on pg. 70 and a bracelet on pg. 71 are shown in this design line.) Signed Pearson Sterling. Measures 2 x 2". Excellent Condition, with sight patina forming. #3007, $250.00   |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER BROOCH, c. 1950s-1960s. Intriguing
modernist design in the form of a lightening bolt, or coral, or fern
leaf, or......... Again, an example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection." (per, Robert von Neumann-The Design and Creation of Jewelry, 1961, pg. 70; a brooch on pg. 70 and a bracelet on pg. 71 are shown in this design line.) Signed Pearson Sterling. Measures 2 x 1". Excellent Condition, with sight patina forming. #2900, $200.00   |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER BROOCH and EARRINGS, c. 1958. Wonderful modernist set. Outstanding example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection." (per, Robert von Neumann-The Design and Creation of Jewelry, 1961, pg. 70; a brooch on pg. 70 and a bracelet on pg. 71 are shown in this design line.) Signed Pearson Sterling. Measures 1-1/2" x 1", screwback earrings 3/4" x 5/8". Excellent Condition. #2740, $295.00  |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER NECKRING, c. 1960s. Forged
Sterling. Intriguing play of movement in undulating line. Pearson's contribution to Jewelry Art is vast, received great recognition throughout his life time, through prestigious shows, teaching, memberships in foundations. He was a founding member of the Society of North American Goldsmiths and was a board member of the Lois Comfort Tiffany Foundation, and a participating artist in the 1959 Walker Exhibition, just to name a small few. A life time of excellence. Signed Pearson, Sterling. Measures approx. 15". Very Good Condition. #2663, $225.00 Illustrations of Ronald H. Pearson, creating a similar neckring is in, "Contemporary Jewelry a Craftsman's Handbook", by Phillip Morton, pg. 103. Holt, Rinehart, and Winston © 1970.  |
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RONALD HAYES PEARSON 1924-1997 |
VINTAGE STERLING SILVER STICK PIN. Wonderful modernist form, forged
as one contiuous piece. Outstanding example of Pearson's use of form "invented by a mind aware of the effectiveness of contour, tension, and reflection." (per, Robert von Neumann-The Design and Creation of Jewelry, 1961.) Signed Pearson Sterling. Measures 1-1/2". Excellent Condition. #2796, $145.00  |
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PERLI | ARTS AND CRAFTS, 835 SILVER BRACELET, Hand
crafted Link-style bracelet with flat sheets of silver rolled at the
ends to attach to the adjacent link. Every other link is
hand-etched with tiny locking circles and dots. Perli-Werkstatt is a German Company from Swabisch Gmund, founded in 1922 and known for its metalwork. Their work was exhibited in 1937 in the Paris Expo. Signed Perli, 835. Measures 7" x 7/8". Very Good Condition. #3106, $225.00  |
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LILLIAN PINES 1894-1994 ARTS and CRAFTS |
ORNATE HAND WIRED HEART BROOCH IN VINTAGE STERLING SILVER.
c 1940s. Lillian
Pines was a contemporary of Mary Gage. Clearly, they were
influenced by one another from the use of the heavily applied hand wire
surfaces. This dynamic design is a heavy forged work and has a deep
oxidation process for the background, bringing out the delicate hand
beading and wire relief. Marked 'Lillian Pines Sterling'. Measures 2" x 2". Very Good Condition. #2624. SOLD  For additional information on Pines see the site below: Chicago Silver -- Mary Gage (and Lillian Pines) |
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LILLIAN PINES 1894-1994 ARTS and CRAFTS |
ORNATE HAND WIRED FAN BROOCH IN VINTAGE STERLING SILVER .
c 1940s. Lillian
Pines was a contemporary of Mary Gage. Clearly, they were
influenced by one another from the use of the heavily applied hand wire
surfaces. This dynamic design is a heavy forged work and has a deep
oxidation process for the background, bringing out the delicate hand
beading and wire relief. Marked 'Lillian Pines Sterling'. Measures 2-3/4" x 1-3/4". Very Good Condition. #2745. $200.00   For additional information on Pines see the site below: Chicago Silver -- Mary Gage (and Lillian Pines) |
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FRANK REBAJES 1907-1990 |
VINTAGE STERLING SILVER BRACELET, c. 1950s.
Hand Hammered Leaves attached to a ridged cuff. Measures 1-1/4" in the front and appox. 7-3/4" on the inside Marked on the end Rebajes Sterling. Very Good Condition. #2660, $300.00 For an intimate story of Frank Rebajes life, written by, Patricia Riveron Lee, Artist and daughter of Enrique Riveron, Artist and close family friend of Frank Rebajes, see Modern Silver Magazine, Uncle Frank. "Uncle Frank," the story of Frank Rebajes |
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FRANK REBAJES 1907-1990 |
OVER SIZED AGATE AND VINTAGE STERLING SILVER PENDANT. Heavy
sterling wire, wraps the over sized Agate stone. The stone has is a
semi-transparent center with black edges and black U shaped matrix. All
handmade. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Sterling Rebajes on an applied oval on the back. Measures 3-1/2" Excellent Conditions #3029, $350.00 For an intimate story of Frank Rebajes life, written by, Patricia Riveron Lee, Artist and daughter of Enrique Riveron, Artist and close family friend of Frank Rebajes, see Modern Silver Magazine, Uncle Frank. "Uncle Frank," the story of Frank Rebajes   |
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FRANK REBAJES 1907-1990 |
One-of-a-kind VINTAGE STERLING SILVER RING with
Large Black Stone, c.1960s. An interesting setting of spiral
wrapped wire. After a successful store on Fifth Avenue, New York, Frank Rebajes decided to live in Spain, seeking a simpler life. He discovered a small beach town, Torremolinos in San Miguel, where he set up shop and was quickly discovered by the Jet Set. The works he produced in Spain were one-of-a-kind. Marked Original, Hand Wrought, Rebajes, Design. Stone measures a large 1-1/8" x 5/8", Size 8-1/2. Excellent Condition. #2847, $295.00 For an intimate story of Frank Rebajes life, written by, Patricia Riveron Lee, Artist and daughter of Enrique Riveron, Artist and close family friend of Frank Rebajes, see Modern Silver Magazine, Uncle Frank. "Uncle Frank," the story of Frank Rebajes  |
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merry renk b.1921 |
VINTAGE STERLING SILVER STICK PIN, Enamel and Sterling. Miniature work of art. Subtle
crossing of lines and dots in black and white floating enamel floating
in deep blue enameled rectangle. Ms .renk studied at the Institute of Design in Chicago from 1946 to 1947. She relocated to San Francisco becoming a San Francisco Icon in jewelry design, and later, a sculptor and painter. She is one of the co-founders of the Metal Arts Guild of San Francisco in 1951. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked renk, Stamped in lower case script. Measures: Enamel rectangle 1" x 3/8". Pin 2-1/" Good Condition. 3 crazing lines accross the middle section. #2765, $225.00  |
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HERMANN ROTH |
VINTAGE STERLING SILVER CHARM BRACELET, Round circles with
four leaf clovers. Each petal and stem is hand cut and applied. The
Charms are attached to a wonderfully intricate Handmade chain. Studied at the Craft Students League and the Museum of Modern Art, NY. Exhibited at in the 1955 Walker Exhibition. The artist's work is illustrated in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, page 172. There are two Marks, one on each disc. Hermann Roth, Handmade Sterling, and a conjoined HR, Handmade Sterling. The clasp has a conjoined HR, Handmade, Sterling mark on the underside of the decorated clasp. Measures 8-1/2". Each disc is x 1-1/4". Very Good condition. #2770, $395.00  
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MARY SCHIMPFF |
VINTAGE STERLING SILVER BROOCH, Natural Stone and Sterling
Silver. Drawing inspiration from nature's surprises. Ms. Schimpff, like
her contemporaries, used precious and semi-precious stones in her
work; liking reflective materials that add movement when
worn. In this design, there are small silver cups attached to the back
that add surprise and reflective qualities. Some of her exhibitions include, American House Galleries, Metropolitan Museum in New York, and the DeBeers International Academy Exhibitions where she received four DeBeers International awards. Marked Schimpff Sterling Measures 2-1/2" x 1" Very Good condition. The irregularities are inclusions in the stone. #3094, $550.00  
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PEARL SHECTER |
VINTAGE STERLING SILVER BROOCH, Stylized Fish. c. 1950s/1960s.
Her approach to design is abstract, mostly executed in silver, wire,
and rough cut stones. In this design the wire is applied to the
top of the fish with details in the tail cut by hand. The
straight horizontal wire, and slightly curling of the tail, gives
the sense of strong forward motion. Additional examples of her works using silver and wire, can be seen the book "Modernist Jewelry 1930-1960, The Wearable Art Movement", by Marbeth Schon, pg. 110 and "Jewelry Making as an art expression", by D. Kenneth Winebrenner, on several pages throughout the text, copyright 1953. The artist is included in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Pearl exhibited in the Walker Exhibition of 1948. She studied Abstract Painting at the Hans Hoffman School of Fine Arts, received her MFA from Columbia University, attended the Chicago Bauhaus School of Moholy-Nagy, and studied enameling and silversmithing with Adda Husted-Anderson. She had her own studio in New York. Marked Pearl S/S Measures a large 3-1/8" x 1-3/8" Very good condition with a slight patina #2759, $350.00  |
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FRED H. SKAGGS |
ENAMEL PENDANT, Free-form Modernist Design.
Dynamic use of color and motion; parts of the design are
formed by the copper base showing through the enamel, adding to the
subtle texturing. Skaggs was well known for his stone-work and metal-work, but his lesser known enamel-works gave his artistic flair a chance to flourish. Signed SKAGGS. Measures a large 2" . Excellent Condition. #2917, $275.00  |
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ART SMITH 1917-1982 |
LARGE COPPER and BRASS CUFF BRACELET,
A fine example of Art Smith's primitive inspired construction and the
use of form to adorn the body. Marked Art Smith in script. Measures an impressive 3" in front, fits 6-3/4" wrist. Very Good Condition. #2926, $4,995.00   |
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ART SMITH 1917-1982 |
COPPER and BRASS CUFF BRACELET, A
wonderful example of Art Smith's playful use of undulating form
juxtaposed by spirals to enhance the
body. Marked Art Smith in script. Measures 1-1/4" in front, fits up to 7" wrist. Very Good Condition. #2829, $2,395.00  |
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ART SMITH 1917-1982 |
COPPER and BRASS BROOCH, Lovely
example of Art Smith's layering of biomorphic shapes, bent and hammered
wire, accented with oxidization which creates movement, depth,
and form. The color contrasts add to
the three-dimensionality. Marked Art Smith in script. Measures 1-3/4" x 1-5/8. Very Good Condition. #2844, $1,295.00  |
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ART SMITH 1917-1982 |
COPPER and BRASS EARRINGS,
Biomorphic layering of shapes, contrasting colors and
planes to create movement and form. Marked Art Smith in script. Measures 1-3/8" x 1". Very Good Condition. #2845, $895.00  |
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NOBLE (SHIRLEY) SMITH |
VINTAGE STERLING SILVER BRACELET c. 1950s-1960s. The curve
in the width of the cuff is echoed in the thin wires that flows
through the sides of the bracelet, making a very subtle
visual effect. An example of Shirley Smith's work can be seen in Form and Function, American Modernis Jewelry, 1940-1970, by Marbeth Schon. pg212. The companion book to the 2008 exhibition, at Fort Wayne, Indiana American Modernist Jewelry, 1940-1970. The name Noble may be her mother's her mother's maiden name. Attended the Boston Museum School, in the 1950s. Marked Noble Smith Sterling. Measures 1-3/4" x 1-3/4". Very Good Condition. #3070, $350.00   |
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NOBLE (SHIRLEY) SMITH |
VINTAGE STERLING SILVER BROOCH, c. 1950s-1960s.
Rounded Zenith design, with cupped discs balancing on the high
wing. An example of Shirley Smith's work can be seen in Form and Function, American Modernis Jewelry, 1940-1970, by Marbeth Schon. pg 212. The companion book to the 2008 exhibition, at Fort Wayne, Indiana American Modernist Jewelry, 1940-1970. The name Noble may be her mother's maiden name. Attended the Boston Museum School, in the 1950s. Marked Noble Smith Sterling. Measures 1-3/4" x 1-3/4". Very Good Condition. #3088, $250.00   |
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HENRY STEIG |
VINTAGE STERLING SILVER BROOCH, Lovely serene
elliptical design with subtle movement. Marked Steig Sterling Measures 2-1/8" x 1-1/8" Very Good Condition. #2833, $200.00  |
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HENRY STEIG |
VINTAGE STERLING SILVER PENDANT, Abstract
freeform design; great 3 dimensionality. Marked Steig Sterling. Measures 2" x 3/4". Very Good Condition. #2563, $225.00  |
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MARK UNKNOWN |
VINTAGE STERLING SILVER, GOLD, and LAVENDER AGATE
BROOCH. This Modernist design is reminiscent of an Arrowhead.
All handmade with applied
details and textures. Marked with a possible JD Measures 3-1/8" x 3/4' Very Good Condition. #2731, $125.00   |
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BILL TENDLER |
VINTAGE STERLING SILVER BROOCH. Fish
design. Very intriguing technique. The front rib cage was
developed by folding over the metal from the back side, creating body
mass. Bill Tendler owned many shops in Greenwich Village. He favored constructed abstract forms in modernist styles and sometime stylized animal forms. By overlapping plains, twisting and bending wires, he was able to develop three demential effects. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Tendler Sterling Measures 2-1/4" x 1". Very Good Condition. #3015, $425.00   |
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PAUL VOLTAIRE |
VINTAGE STERLING SILVER PENDANT, Large Modernist
work in forged sterling with interesting use of textured surfaces and
off-set arches balanced by the inserted sterling sphere. Immigrated to the US from Austria in 1936. He was a metallurgical engineer by trade, but decided on an art career after working for the World War 11 effort. He was a founding member of the Craftmen's Equity in New York City and opened his first shop in Greenwich village. He was comfortable working in a variety of metals. Most of his work is one-of-a-kind. The artist is includeded in the book, Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Voltaire Sterling. Measures 2-3/4" x 1-1/8". Very Good Condition. #2887, $225.00  |
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PAUL VOLTAIRE |
VINTAGE STERLING SILVER PENDANT, Dramatic
Modernist work in forged sterling with textured surfaces in a
curved layered design. Immigrated to the US from Austria in 1936. He was a metallurgical engineer by trade, but decided on an art career after working for the War effort. He was a founding member of the Craftmen's Equity in New York City and opened his first shop in Greenwich village. He was comfortable working in a variety of metals. Most of his work is one-of-a-kind. Measures 2-1/4" x 1-1/2". Very Good Condition. #2634, SOLD  |
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ED WIENER |
VINTAGE STERLING SILVER CUFF BRACELET, c.late 1940s-early 1950s. This
early work displays the hand of the artist in forging, cutting,
hammering, bending, rubbing, wrapping....... Cuff-style bracelet with two halves of the composition treated in different ways. There is a continuous heavy wire stretched parallel to the interior flat surface. One side is tightly wrapped with thin wire. Below the thick bowing wire is a line of oxidization acting like a shadow. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Ed Wiener Sterling Measures 6-1/2" x 5/8" at its widest, and 3/8" space at the widest bowing. Very Good Condition, with a heavy patina. #3105, $1,495.00 
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ED WIENER |
VINTAGE STERLING SILVER CUFF BRACELET, c.1954. This
bracelet is representational of his 1950s
works and his use of complexity of construction to adorn the human form. An example of this bracelet can be seen in Jewelry by Ed Wiener, page 69, Plate 96, which he included in his 1989 Retrospective catalogue Addenda. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, with this bracelet illustrated on page 42 as the 'Chapeter 3 Title Illustration'. His work was prominently displayed in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970, and is included in the companion book/catalogue Form and Function American Modernist Jewelry 1940-1970, by Marbeth Schon. Marked Ed Wiener Sterling Measures 1-7/8" to 1-1/8", fits approx. 7" wrist Very Good Condition, with a small discoloration spot at an inside corner (a possible silver test sign). #2971, $1,495.00     |
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ED WIENER |
VINTAGE STERLING SILVER BROOCH with Cultured Pearl,
c.1957, This brooch is representational of his 1950s
works and his use of carvex to obtain sculptural "gleaming sharply
tapered forms", as he described in his 1988 Retrospective Catalogue,
"Jewelry by Ed Wiener", page 36. Pearl accents were often used in these
wearable sculptures. An example of this brooch in 14K can be seen in Christie Romero's Warman's Jewelry, 3rd Ed., page 169. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970.. Marked Ed Wiener Measures 2-3/4" x 1-1/8". Very Good Condition. #2830, $345.00  |
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ED WIENER |
VINTAGE STERLING SILVER BROOCH with Cultured Pearl, c.
early 1950s, This brooch is representational of his early 1950s work in the form, use of niello and cultured pearls. A whimsical use of form, line, and counter-balance. The artist is featured in the book, MODERNIST JEWELRY 1930-1960, The Wearable Art Movement, by Marbeth Schon, and in the 2008 Fort Wayne, Indiana exhibit titled American Modernist Jewelry, 1940-1970.. Marked Ed Wie Ster (Partial mark due to off-center strike). Measures 1-1/2" x 1-1/4. Very Good Condition. #2738, $345.00  |
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MARCIN ZAREMSKI |
VINTAGE STERLING SILVER BROOCH, Long and very high brooch with textured surface. A reknowned Polish artist, he has 3 shops in Warsaw. See Marbeth Schon's Modern Silver Magazine for an Interview with Marcin Zaremski, by Ron and Barbara Marshall. http://www.modernsilver.com/marcinzaremski.htm Marked M. Zaremski MJZ 'Eye' mark, 925,. Measures a substantial 3-5/8" x 7/8" and 3/8" high. Very Good Condition. #2879, $250.00   |
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MARCIN ZAREMSKI |
VINTAGE STERLING SILVER BROOCH, A Large Geometric form accented with a diagonal counter-shape; nice weight, thickness. A reknowned Polish artist, he has 3 shops in Warsaw. See Marbeth Schon's Modern Silver Magazine for an Interview with Marcin Zaremski, by Ron and Barbara Marshall. http://www.modernsilver.com/marcinzaremski.htm Marked M. Zaremski MJZ 'Eye' mark, 925,. Measures a substantial 3-7/8" x 3/4". Excellent Condition. #2795, $250.00   |
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Wanted to Buy
Modernist Designer Signed Jewelry
| We
are
interested in purchasing Modernist Designer Signed Jewelry
spanning the 1930s through the mid-1960s from the below listed
designers. Condition must be excellent to very good. All inquiries
should include a complete description of items offered,
including all makers and identifying marks, condition, and desired
price. Please, don't send JPGs until requested. |
| David Aaron, Paul Ackerman, Annie Albers, Vera Allison, Lilly Ascher, Ray Jay Ashdown, Evelyn Bach, Carlton Ball, Mildred Ball, Ward Bennet, Franz Bergmann, Harry Bertoia, Frances Holmes Boothby, MN Boyer, Jules Brenner, John Bryan, Irena Bryner, Irena Brynner, Irv and Bonnie Burkee, Alexander Calder, Virgil Cantini, Anne Cary, Toni Catanzaro, Milton Cavagnaro, Orville Chatt, Maxwell Chayat, Kurt Eric Christofferesen, Betty Cooke, Ella Cone, Julio De Diego, William De Hart, Margaret De Patta, Robert Dhaemers, Bess Diamond, Florence Dixon, Karl Drerup, Virginia dudley, Claire Falkenstein, Fred Farr, Feklice, Cher Fox, Lois Franke, Elsa Freund, Richard Gompf, Julian Goodenow, Doris Hall, Alexander Hammid, Luiz Hassan, Maida Heater, Clifford Herrold, April Higashi, Michael and Frances Higgins, Fannie Hillsmith, Hurst-Kingsbury, Husted-Andersen, Thea Nicole Izzi, Phyllis Jacobs, Karam, Gertrude Karlan, Arthur King, Nat Koffman, Sam Kramer, Hilda Krauss, Earl Krentzin, Mary Kretsinger, Kryzak, Ibram Lassaw, Ward Law, Frank Lee, Ed Levin, Esther Lewittes, Jacques Lipchitz, Ev Lloyd, Paul Lobel, Peter and Daniel Macchiarini, Everett Macdonald, Frank Miraglia, Louis Mcmillen, Paul Miller, Keith Monroe, Phillip Morton, Musicat, Peter Nass, Jack Nutting, Maureen O'Connor, Joan Parcher, Earl Pardon, James Parker, Ronald Hayes Pearson, Toby Peller, Marianna Pineda, Richard Pousette-dart, Richard Raseman, Frank Rebajes, Barney Reid, merry renk, Florence Resnikoff, Walter Rhodes, Rima, Jose De Rivera, Ruth Roach, Carolyn Gleick Rosesn, Herman Roth, George Salo, Sara, Mary Schimpff, Howard Scheecter, Christian Schmidt, Zahara Schatz, Pearl Shecter, Olaf Skoogfors, Art Smith, Henry Steig, Strengell, Bittl Tendler, Madeline Turner, Paul Voltaire, Ed Wiener, Byron wilson, Armand and Helen Winfield, Bob Winston, Margaret Craver Withers, Harry Yerkes, Marcin Zaremski, Marci Zelmanoff, Zelda Zoe |
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